The exhibition titled “Dispositions of Being” stems from the notion of “Social Choreography” that deals with the uncovering of underlying social relations and patterns — the choreography of the social — through embodied practices, and always, engages these dynamics for new social choreographies to emerge simultaneously.
It permeates the tightly knit fabric of socialization, for other potential realities to be sensed and experienced, and for new relational fields amongst human and non-human to be forged.
Social Choreography” fundamentally focuses on transforming social structures through aesthetics thereby exploring the fundamental role of embodiment in ethics, relations, and governance.
